Best Shots review: Batman #100 "a rousing, well-constructed tribute to the power and timeless nature of solid Batman comics" - fletchercallibed
Best Shots review: Batman #100 "a rousing, well-constructed tribute to the power and timeless nature of unbroken Batman comics"
Saint James the Apostle Tynion IV uses the landmark make out number to clear the stage in grand forge for his new era of Gotham City in Batman #100. 'The Jokester War' has built to a fever pitch. Armed with the infinite resources of Wayne Enterprises, the cognition of Batman's classified identity, and state-of-the-fine art Batman technology (namely the Tron-inspired 'coming' suit now twisted into a Joker theme), the Jokester aims to have an intimate, knife-filled finale to his stormy war burning through Gotham.
Batman #100 credits
Written by James Tynion IV
Art by Jorge Jimenez, Tomeu Morey, Carlo Pagulayan, Danny Miki, and Guillem March
Lettering by Clayton Cowles
Published by DC
'Rama Evaluation: 8 down of 10
But what he doesn't account for, as always, is the unbroken tenacity of Batman, as well as a one Harley Quinn-shaped wild card, interrupting their latest, harrowing dance. Though the destruction of grandly scoped and often unwieldy opening arcs of Tynion's tenure on the main Bat title, Batman #100 actually stands equally a breezy, neatly emotional introspective connected Batman and the rousing emotion equal to from stories about him and the Flutter-home.
Tynion's hand is noticeable and arguably a bit cheesy in parts, but it's berth as the ordinal issue of this volume, branching from the equally ambitious, introspective, and slightly supernatural Batman: Rebirth #1, likewise as the finalisation of 'The Joker War' gives it a real punch as a single issue experience. Pair that with the slick, extremely medium artwork of Jorge Jimenez and Tomeu Morey, backed by back-up artists Carlo Pagulayan, Danny Miki, and Guillem Butt and strongly characterized letters of Clayton Cowles, and Batman #100 amounts to a purely fun and engaging Batman experience.
'The Jokester War' has gripped every borough of Gotham City and nothing short-snouted of a miracle can bring in them in collaboration. Every member of the Bat-family struggles to hang on against the Joker's antic-ified automaton forces and the city's institutions are paralyzed. Thankfully, Oracle has returned, giving Gotham the break she so sorely of necessity and reconnecting the Bat-family with their have brand of Bat-themed connectivity for the first time in the title in years.
Both Tynion and the art squad play this A the big moment that is it and provides Batman #100 with a tremendous exteroception set-piece and narrative bit right off the chiropteran. Opening with a Babs focused page of her reactivating the Time Tug and so chipping the credits across escalating panes, providing looks of each Chiropteran-fam member in pitched battle, the creative team in truth gambling up these moments arsenic very much like possible, establishing a high visual timbre for the issue A cured as a highly dynamical key and f number for the scripting.
You likewise get the feeling that this is a big allot for Tynion as well, who leans into the soothing sound of Barabra as she reassures both Gotham and the accumulated Chiropteran-forces (which nowadays includes a fully returned Dick Grayson, rear in blue and humorous lovingly with Babs in The Time Tower) through the actions being condemned to protect them. Tynion also shined with the large cast of his era of Tec Comics so IT's pleasant to see that same ensemble energy extending outward into the main statute title now, even though a lot of the action and focus on of these scenes are centered around Nightwing.
But As Tynion focuses in on the ongoing Batman vs. the Joker scenes, provided ghoulish commentaries by the Joker-resurrected corpse of Alfred, the real nerve and purpose of Tynion's Batman #100 becomes illuminate. Echoing certain sentiments brought up by arcs like Scott Snyder's 'Death in the Family' and 'Endgame,' the Joker (Ra: Tynion) rips into the idea of Batman and how complacent and fistulate the "power" atomic number 2 wields is.
Worst still, He pontificates along how the lie of Batman and the protection Wayne Enterprises offers to Gotham has been exposed to the people. Helium straight-grained does so wearing a suit Bruce supposed for the "future", where he could constitute a more bright, more optimistic hero. It's a choice bit of comment from Tynion, one that has a bit more teeth and tale zestfulness than I gave it accredit for in the opening move issues, and allows him to neatly tack for the statute title's future as the 'turn' happens and Batman and his class first to gain the upper hand.
Batman #100 too looks tremendous thanks to the wildly expressive pencils of Jorge Jimenez and searing colors of Tomeu Morey. Moving well betwixt sprawling action scenes and intimate profiled tight shots of Batman and the Jokester mid-fight, Jimenez brings a keen staginess to this hundredth issue and takes a more stagey approach to the final (for now) confrontation 'tween Batman and the Joker. Morey's colors also bring an unexpected psychological horror flic feel to the contend, blazing neons and farinaceous lighting end-to-end these fight scenes. Now and again, it muddies some panels, obscuring few of the more emotive elements of Jimenez's pencils and making the present fecundation of the page look up to inky, but all and all the pair work hard to give Batman #100 a big flavor and scope visually.
And in doing and then, aided in merciful by Saint James Tynion IV's with boldness emotional and focused script, they make Batman #100 a beautiful fun reading experience overall. Supported by the unique military position allowed as an arc's end and noteworthy issue number, James Tynion IV and ship's company deliver a rousing, well-constructed tribute to the power and timeless nature of solid Batman comics. All while shaking things up for the issues to come and commenting connected the ever-evolving 'theory of Batman'. Not excessively shabby for 100 issues if you ask me.
Source: https://www.gamesradar.com/batman-100-review/
Posted by: fletchercallibed.blogspot.com
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